The intensity and complexity of human experience cannot be merely transcribed through organized systems of thought and representation. Conventional forms of communication convey meaning simply through approximation, where the raw, multi-faceted quality of human emotion is often lost in translation. Bridging disciplines of painting and architecture, my practice  highlights the gap between what we feel and what we manage to express.

My artwork displays an interdisciplinary approach, blending painting, drawing, printmaking, sculpture and installation to express an overwhelming sense of emotion in juxtaposing dialogue with organized systems of thought. The process begins with a direct response to my internal sensory condition, aiming to transfer my feelings as authentically and directly as possible onto the canvas through the trance-like state embodied through action painting. My mind enters a frame of vulnerable introspection, unlocking preserved fragments of residual memory to channel the movement of the paint on canvas. The chaos of these expressions follow an iterative process of reevaluation, an attempt to bridge the raw and untamed with the logical. Spatial frameworks are harnessed as a layered component to highlight the tension between structure and emotional saturation, allowing these opposing forces to negotiate within a single visual field.